Top 500 Margaret Atwood Quotes (2024 Update)
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351. “Is anything wrong, dear? the old joke went. No, why? You moved. Just don’t move.”

— Margaret Atwood

352. “It’s like Janine, though, to take it upon herself, to decide the baby’s flaws were due to her alone. But people will do anything rather than admit that their lives have no meaning. No use, that is. No plot.”

— Margaret Atwood

353. “I admired my mother in some ways, although things between us were never easy. She expected too much from me, I felt. She expected me to vindicate her life for her, and the choices she’d made. I didn’t want to live my life on her terms. I didn’t want to be the model offspring, the incarnation of her ideas. We used to fight about that. I am not your justification for existence, I said to her once.”

— Margaret Atwood

354. “And she finds it difficult to believe – that a person would love her even when she isn’t trying. Trying to figure out what other people need, trying to be worthy.”

— Margaret Atwood

355. “Why should the other ones in this play get a second chance at life, but not him? Why’s he have to suffer so much for being what he is? It’s like he’s, you know, black or Native or something. Five strikes against him from Day One. He never asked to get born.”

— Margaret Atwood

356. “One person alone is not a full person: we exist in relation to others.”

— Margaret Atwood

357. “I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.”

— Margaret Atwood

358. “The way love feels is always only approximate. I would like to be without shame. I would like to be shameless. I would like to be ignorant. Then I would not know how ignorant I was.”

— Margaret Atwood

359. “Every night when I go to bed I think, In the morning I will wake up in my own house and things will be back the way they were. It hasn’t happened this morning, either.”

— Margaret Atwood

360. “Those years were just an anomaly, historically speaking, the Commander said, just a fluke. All we’ve done is return things to Nature’s norm.”

— Margaret Atwood

361. “What breaks in daybreak? Is it the night? Is it the sun, cracked in two by the horizon like an egg, spilling out light?”

— Margaret Atwood

362. “He manages to appear puzzled, as if he can’t quite remember how we all got in here. As if we are something he inherited, like a Victorian pump organ, and he hasn’t figured out what to do with us. What we are worth.”

— Margaret Atwood

363. “I don’t want a man around, what use are they except for ten seconds’ worth of half babies. A man is just a woman’s strategy for making other women.”

— Margaret Atwood

364. “A man is just a woman’s strategy for making other women.”

— Margaret Atwood

365. “The central symbol for Canada-and this based on numerous instances of its occurrence in both English and French Canadian literature-is undoubtedly Survival, la Survivance.”

— Margaret Atwood

366. “But also I’m hungry. This is monstrous, but nevertheless it’s true. Death makes me hungry. Maybe it’s because I’ve been emptied; or maybe it’s the body’s way of seeing to it that I remain alive, continue to repeat its bedrock prayer: I am, I am. I am, still. I want to go to bed, make love, right now. I think of the word relish. I could eat a horse.”

— Margaret Atwood

367. “I stand on the corner, pretending I am a tree.”

— Margaret Atwood

368. “A movie about the past is not the same as the past.”

— Margaret Atwood

369. “Women can’t add, he once said, jokingly. When I asked him what he meant, he said, For them, one and one and one and one don’t make four. What do they make? I said, expecting five or three. Just one and one and one and one, he said.”

— Margaret Atwood

370. “Money was the only measure of worth, for everyone, they got no respect as mothers.”

— Margaret Atwood

371. “One person alone is not a full person: we exist in relation to others. I was one person: I risked becoming no person.”

— Margaret Atwood

372. “I almost gasp: he’s said a forbidden word. Sterile. There is no such thing as a sterile man anymore, not officially. There are only women who are fruitful and women who are barren, that’s the law.”

— Margaret Atwood

373. “If someone wants to suck your toes, those toes should be worth sucking.”

— Margaret Atwood

374. “I’m a refugee from the past, and like other refugees I go over the customs and habits of being I’ve left or been forced to leave behind me, and it all seems just as quaint, from here, and I am just as obsessive about it.”

— Margaret Atwood

375. “When demons are required someone will always be found to supply the part, and whether you step forward or are pushed is all the same in the end.”

— Margaret Atwood

376. “I am not your justification for existence.”

— Margaret Atwood

377. “I don’t want her to be like me. Give in, go along, save her skin. That is what it comes down to. I want gallantry from her, swashbuckling, heroism, single-handed combat. Something I lack.”

— Margaret Atwood

378. “I want to be held and told my name. I want to be valued, in ways that I am not; I want to be more than valuable. I repeat my former name; remind myself of what I once could do, how others saw me. I want to steal something.”

— Margaret Atwood

379. “So much for endings. Beginnings are always more fun. True connoisseurs, however, are known to favor the stretch in between, since it’s the hardest to do anything with. That’s about all that can be said for plots, which anyway are just one thing after another, a what and a what and a what.”

— Margaret Atwood

380. “Our problem right now is that we’re so specialized that if the lights go out, there are a huge number of people who are not going to know what to do. But within every dystopia there’s a little utopia.”

— Margaret Atwood

381. “Starlet sex scandal. Giant squid involved.”

— Margaret Atwood

382. “Your hand is a warm stone I hold between two words.”

— Margaret Atwood

383. “When did the body first set out on its own adventures? Snowman thinks; after having ditched its old travelling companions, the mind and the soul, for whom it had once been considered a mere corrupt vessel or else a puppet acting out their dramas for them, or else bad company, leading the other two astray.”

— Margaret Atwood

384. “Suddenly revenge is so close he can actually taste it. It tastes like steak, rare.”

— Margaret Atwood

385. “But I was the daughter of a Naiad. Behave like water, I told myself. Don’t try to oppose them. When they try to grasp you, slip through their fingers. Flow around them.”

— Margaret Atwood

386. “If you get hungry enough, they say, you start eating your own heart.”

— Margaret Atwood

387. “If a stranger taps you on the ass and says, “How’s the little lady today!” you will probably cringe. But if he’s an American, he’s only being friendly.”

— Margaret Atwood

388. “How easy it is to invent a humanity, for anyone at all. What an available temptation.”

— Margaret Atwood

389. “The truly fearless think of themselves as normal.”

— Margaret Atwood

390. “There remains a mirror, on the hall wall. If I turn my head so that the white wings framing my face direct my vision towards it, I can see it as I go down the stairs, round, convex, a pier-glass, like the eye of a fish, and myself in it like a distorted shadow, a parody of something, some fairytale figure in a red cloak, descending towards a moment of carelessness that is the same as danger. A Sister, dipped in blood.”

— Margaret Atwood

391. “I sit in the chair and think about the word chair. It can also mean the leader of a meeting. It can also mean a mode of execution. It is the first syllable in charity. It is the French word for flesh. None of these facts has any connection with the others. These are the kinds of litanies I use, to compose myself.”

— Margaret Atwood

392. “He wanted me to play Scrabble with him, and kiss him as if I meant it. This is one of the most bizarre things that’s happened to me, ever. Context is all.”

— Margaret Atwood

393. “Death makes me hungry. Maybe it’s because I’ve been emptied; or maybe it’s the body’s way of seeing to it that I remain alive, continue to repeat its bedrock prayer: I am, I am. I am, still.”

— Margaret Atwood

394. “Every month there is a moon, gigantic, round, heavy, an omen. IT transits, pauses, continues on and passes out of sight, and I see despair coming towards me like famine. To feel that empty, again, again. I listen to my heart, wave upon wave, salty and red, continuing on and on, marking time.”

— Margaret Atwood

395. “The threshold of a new house is a lonely place.”

— Margaret Atwood

396. “The adult female body was one big booby trap as far as I could tell. If there was a hole, something was bound to be shoved into it and something else was bound to come out, and that went for any kind of hole: a hole in a wall, a hole in a mountain, a hole in the ground. There were so many things that could be done to it or go wrong with it, this adult female body, that I was left feeling I would be better off without it.”

— Margaret Atwood

397. “Some bioengineering is good, especially if it results in plants that are more drought-resistant or perennial food crops.”

— Margaret Atwood

398. “Sometimes I wish she would just shut up and let me walk in peace. But I’m ravenous for news, any kind of news; even if it’s false news, it must mean something.”

— Margaret Atwood

399. “But a chair, sunlight, flowers: these are not to be dismissed. I am alive, I live, I breathe, I put my hand out, unfolded, into the sunlight.”

— Margaret Atwood

400. “The young ones are often the most dangerous, the most fanatical, the jumpiest with their guns. They haven’t yet learned about existence through time.”

— Margaret Atwood