Top 7 Michael Richardson Quotes (2024 Update)

Michael Richardson Quote: “The real importance of automatism lay in the fact that it led to a different relation between the artist and the creative act. Where the artist had traditionally been seen as someone who invents a personal world, bringing into being something unique to his own ‘genius’, the surrealists conceived themselves as explorers and researchers rather than ‘artist’ in the traditional sense and it was discovery rather than invention that became crucial for them.”

1. “The real importance of automatism lay in the fact that it led to a different relation between the artist and the creative act. Where the artist had traditionally been seen as someone who invents a personal world, bringing into being something unique to his own ‘genius’, the surrealists conceived themselves as explorers and researchers rather than ‘artist’ in the traditional sense and it was discovery rather than invention that became crucial for them.”

— Michael Richardson

Michael Richardson Quote: “Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for different means by which to explore reality itself.”

2. “Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for different means by which to explore reality itself.”

— Michael Richardson

Michael Richardson Quote: “The form of the Gothic novel also implicitly contested the claims of Realism to reflect the world directly by showing how artificial its structure was.”

3. “The form of the Gothic novel also implicitly contested the claims of Realism to reflect the world directly by showing how artificial its structure was.”

— Michael Richardson

Michael Richardson Quote: “We can sum up the surrealist distinction between ‘literature’ and ‘poetry’ by saying where the former is artificial, fictive and elusive, the latter is natural, real, direct and spontaneous.”

4. “We can sum up the surrealist distinction between ‘literature’ and ‘poetry’ by saying where the former is artificial, fictive and elusive, the latter is natural, real, direct and spontaneous.”

— Michael Richardson

Michael Richardson Quote: “The fantastic is in complicity with the realist model, in the claims that realism makes to represent the true face of reality. It points to the gaps and inadequacies of realism, but does not question the legitimacy of its claims to represent reality. The concept of “suspension of disbelief’, that beloved criterion of positivist criticism supposedly serving to establish the legitimacy of the fantastic, confirms this hegemony.”

5. “The fantastic is in complicity with the realist model, in the claims that realism makes to represent the true face of reality. It points to the gaps and inadequacies of realism, but does not question the legitimacy of its claims to represent reality. The concept of “suspension of disbelief’, that beloved criterion of positivist criticism supposedly serving to establish the legitimacy of the fantastic, confirms this hegemony.”

— Michael Richardson

Michael Richardson Quote: “Refusing what Adorno called that ‘comfort in the uncomfortable’ taken by the fantastic, surrealism seeks to reintegrate man into the universe.”

6. “Refusing what Adorno called that ‘comfort in the uncomfortable’ taken by the fantastic, surrealism seeks to reintegrate man into the universe.”

— Michael Richardson

Michael Richardson Quote: “As Peret asserts, the value of such stories resides in the fact that they respond to direct social necessity but in a way that is not obvious in a society dominated by what is utilitarian and functional. Rather they represent a natural surplus of imaginative abundance that may confound or reinforce the way we perceive the world, but which never does so in a simple way. Even though they may have no direct social use, they nonetheless embody the actual state of real relations between people.”

7. “As Peret asserts, the value of such stories resides in the fact that they respond to direct social necessity but in a way that is not obvious in a society dominated by what is utilitarian and functional. Rather they represent a natural surplus of imaginative abundance that may confound or reinforce the way we perceive the world, but which never does so in a simple way. Even though they may have no direct social use, they nonetheless embody the actual state of real relations between people.”

— Michael Richardson

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