Top 250 Misba Quotes (2026 Update)
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51. “She looks at Meera’s honey-brown eyes – thick Kajol lining them with ends thinned and pointed. A black Bindu sits at the center of her forehead, and she’s wearing a comfortable Sari today – classic cotton, bought costing a fortune from this month’s Cultural Fair.”

— Misba

52. “The four tiny lifters at each corner keep the book hovering in the air at the central lounge. As if it’s not a book but a show on his stage. But there’s no stage in the lounge. Not today. Today, the central lounge of Kuhawk – the house where the Mesmerizer lives – is only for the Devil’s Book.”

— Misba

53. “Anything is stunning when it’s gigantic. Humans always visited and prayed to things titled the largest.”

— Misba

54. “Right. Seven years have passed with the Gaumonts, so that excuse of being ‘new’ isn’t going to work anymore.”

— Misba

55. “Why are you obsessed with the High Auction?” she asks.”

— Misba

56. “The Mesmerizer accepts the challenge. He will prove even such monks as him can be tainted. When that man enters the dark world, he will arrange a blazing orchestra, a homecoming gift. And he will arrange it with the thing the Monk has sent him – the piano.”

— Misba

57. “Even if she rebuilds hundreds of old cars, will it ever equal to healing a tiny life? Will it equal evolution?”

— Misba

58. “It’s not night yet for your lonely bonfire,” Pico says. “But I could understand the significance of a daylight bonfire if I could access my source database.”

— Misba

59. “And much of her energy gets drained in cell-building, in self-healing.”

— Misba

60. “A monk never gets angry. He simply states, witnesses, and flows along with the current of prana.”

— Misba

61. “Mostly because she didn’t know what death or life or any other word in the world meant.”

— Misba

62. “They have the motto ever since the war.”

— Misba

63. “The Apocalypse and the war scrambled all the races and cultures. The prosperous cities are all now a diverse mix.”

— Misba

64. “It itches him to find out what trap that woman has set in such a shabby cottage.”

— Misba

65. “Still, how can someone live with a lock like that? Made of ancient iron, reeking of rust.”

— Misba

66. “Meera ordered Taha to train for two hours. It still isn’t two hours. Kusha wonders if she’s being a bad sister.”

— Misba

67. “Kusha silently groans; envy is rude.”

— Misba

68. “Even a brain that memorizes books after one reading doesn’t make it fair if you stutter before the High-Grades, if you can’t speak in a world that run with voice, if you can’t master words when they say: the universe began with words.”

— Misba

69. “Evolution has its charms. People think harsh training has been its door, but in reality, it was easier to find. The door stood right before their eyes. Always.”

— Misba

70. “Kusha touches her face – again that feeling of phantom ants crawling on her neck, her face.”

— Misba

71. “Weak humans always dream of power, no matter the cost.”

— Misba

72. “For a woman, who once was a yearning of the Mesmerizer, anything is possible.”

— Misba

73. “Not that she needs to mesmerize anyone in particular. She only needs to stop stuttering while her new family stares at her.”

— Misba

74. “A city? Seventy thousand years ago, you say?”

— Misba

75. “The Mesmerizer laughs. A few days ago, he gave the same save-the-world excuse to a certain monk. He also made it believable to himself first, just like her. How fast the universe rolls out its dice, he’s hearing it back so soon!”

— Misba

76. “It’s not a lie, but she’s sure it sounds too much like one, especially to Meera. Kusha can’t deny she isn’t a liar.”

— Misba

77. “A conversation is always a bother, and confrontation is worse.”

— Misba

78. “Anything intelligent always looks for its source – it’s the oldest law of the universe.”

— Misba

79. “Not everyone has flawless intuition, do they?”

— Misba

80. “Just answer a question, Yuan. Did he put you onto this?”

— Misba

81. “When she woke up from a hazy dream of a dancing goddess, she saw a pair of red eyes and flaming strands of blood-red hair in front of her, only to realize it was neither red eyes nor blood-red hair.”

— Misba

82. “I just don’t care enough, Yuan. Let’s say, throwing away the photos or keeping them means the same to me. I’m busy with something more meaningful, and I don’t have time to think about what I should throw out or not,” Mee-Hae says.”

— Misba

83. “And just like that, her mind drifts off, yet again, right in front of Meera, forgetting it’s rude to drift off during a conversation.”

— Misba

84. “But you must speak from here.” Meera showed her belly. “Words are magic, sweetie. With words, you can re-code fate.”

— Misba

85. “Kusha says nothing. Old Mark is used to it: never a proper full-sentence reply, only a weak smile and a confused gaze from her.”

— Misba

86. “Sweetie, you are doing it again,” Meera says. “Is there anything on your face?”

— Misba

87. “Many lose their paths, blinded by evolution. Addiction to power is like any other addiction; you’ll just want it more.”

— Misba

88. “There’s no welcome song for intruders in any courtesy book,” the Mesmerizer says, still naked and finally replying to whatever the woman said earlier. “Especially, someone from a spy organization,” he adds, “in her full uniform and armed, no less.”

— Misba

89. “To think she’s living so close to that man, right near the south of Alpha, while he has been exploring the entire earth, searching for her just the last week.”

— Misba

90. “Privilege exists not to be stored in a locker,” Yuan says.”

— Misba

91. “A monk’s purity procured through strict abstention won’t stain. Even a dead bird’s foul feather can’t tinge it.”

— Misba

92. “My nightmares are out of control. The thoughts during my dreams,” Mee-Hae says, leaning against his chest.”

— Misba

93. “If his first impression weren’t ninety percent pre-constructed by the entrance, he would think that it was a nice, comfortable place to live in.”

— Misba

94. “The fewer words you say, the more chance they have of being general, that is, both true and false. After all, the devil lies in the details.”

— Misba

95. “He never wants to answer it if he doesn’t need to. So, this time, he visibly avoids her question.”

— Misba

96. “Then why are you touching your face in the middle of the dance?” She doesn’t add sweetie at the end; her gaze nearly scratches along the definition of a glare.”

— Misba

97. “The key to conquering emotions isn’t in not feeling them. Rather in catching them the instant they appear.”

— Misba

98. “Meera heals her colossal plants and flowers with her strong prana, her core energy. Healing isn’t a feat a Low Grade can do.”

— Misba

99. “Kusha touches the pieces of paper before her. The papers glow, sensing the illumination level in her attic.”

— Misba

100. “Kusha extended her fingers to trace her new mother’s lips. She assumed lips created words.”

— Misba