Top 250 Misba Quotes (2026 Update)
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101. “Kusha touches her face – again that feeling of phantom ants crawling on her neck, her face.”

— Misba

102. “Sometimes, she wishes something would happen in her life. Something more unexpected than very willingly venturing into the Junk Land to act like a rebellious twenty-three-year-old adult. But still not adult enough compared to the rest of the evolved adults.”

— Misba

103. “A city? Seventy thousand years ago, you say?”

— Misba

104. “Weak humans always dream of power, no matter the cost.”

— Misba

105. “If she did, Taha would ask what they had talked about, until she finds out how she blabbered about destiny during her first conversation with a war hero, and how he mocked it, and how humiliatingly he called her a fraud who sells originality-detection service.”

— Misba

106. “This evolution isn’t physical, rather cognitive, spiritual. It’s a process where prana strengthens the body and mind. Kusha hopes she really is in the process.”

— Misba

107. “Did anything happen,” Meera asks, “in the auction, sweetie?”

— Misba

108. “A conversation is always a bother, and confrontation is worse.”

— Misba

109. “Anything intelligent always looks for its source – it’s the oldest law of the universe.”

— Misba

110. “Not everyone has flawless intuition, do they?”

— Misba

111. “Just answer a question, Yuan. Did he put you onto this?”

— Misba

112. “Even the weird feeling in her guts doesn’t make her wait another second. The feeling came right when she heard the words ’perfectly ready.”

— Misba

113. “But you must speak from here.” Meera showed her belly. “Words are magic, sweetie. With words, you can re-code fate.”

— Misba

114. “Kusha says nothing. Old Mark is used to it: never a proper full-sentence reply, only a weak smile and a confused gaze from her.”

— Misba

115. “Who cares?” Taha says. “The war left fifty years ago. It’ll never come again.”

— Misba

116. “I just don’t care enough, Yuan. Let’s say, throwing away the photos or keeping them means the same to me. I’m busy with something more meaningful, and I don’t have time to think about what I should throw out or not,” Mee-Hae says.”

— Misba

117. “And just like that, her mind drifts off, yet again, right in front of Meera, forgetting it’s rude to drift off during a conversation.”

— Misba

118. “The Devil’s Book is a book of knowledge. The secret displayed and reader-seeing-it are different. Such books hold the wisdom bared. It’s all on how your brain, your mind react with the wisdom chemistry. A book guides; the same book can deceive.”

— Misba

119. “Many lose their paths, blinded by evolution. Addiction to power is like any other addiction; you’ll just want it more.”

— Misba

120. “There’s no welcome song for intruders in any courtesy book,” the Mesmerizer says, still naked and finally replying to whatever the woman said earlier. “Especially, someone from a spy organization,” he adds, “in her full uniform and armed, no less.”

— Misba

121. “Sweetie, you are doing it again,” Meera says. “Is there anything on your face?”

— Misba

122. “Yuan hears the animals hundreds of meters away – the ones with hooves running while the pawed ones hunt them. He also hears the birds chirping, the leaves rustling, the waterfall roaring, and the wind speaking. Yes, speaking. Not every High-Grade voices the wind or hears it speak. But he does.”

— Misba

123. “Even time can be smelled and seen if you are observant, if you know how to smell the abstract. And if you do, you risk exposure to a certain addiction. The addiction to smell.”

— Misba

124. “Knowing your origin gives you half your purpose sometimes, builds its base.”

— Misba

125. “But if you are really looking for it, will you read the Devil’s Book?”

— Misba

126. “To think she’s living so close to that man, right near the south of Alpha, while he has been exploring the entire earth, searching for her just the last week.”

— Misba

127. “Privilege exists not to be stored in a locker,” Yuan says.”

— Misba

128. “A High Grade’s words have weight; she must now think through what leaves her lips.”

— Misba

129. “To think she has forfeited her ethics for the Devil’s Book! The only book in the world she sees in her dreams, daydreams, and nightmares. The only book that may have the real secrets of voice instead of boring jargon page after page, tickling your curiosity and giving you the things you already know.”

— Misba

130. “This girl is doing it again: practicing jumping from four-meter-height for her next grade test.”

— Misba

131. “Preparing the manor means removing the disc-lift section, installing railings at a few places. Don’t forget the baby-friendly stairs, even though the newborn won’t use it for another year. Rashad has finished the carpet replacement and floor disinfecting, not that the baby will be crawling anytime soon. Other tasks include removing Meera’s books and crafts, also the sharp objects from up to a height.”

— Misba

132. “Kusha pushes the last of her long screw into the soil, another expensive thing she bought from the Old City. The almost-broken, two-inch seedling now stands supported. Guilt, partly for a tiny seedling, slightly more for being an unobservant, untouchable human who isn’t graded yet.”

— Misba

133. “It’s evil. It’s sick. Evil and sick together would only bring chaos.”

— Misba

134. “All living creatures always sense what heals their woe – a code in their subconscious.”

— Misba

135. “Those industry-designed latest models, which hover in the air, are nothing compared to the story these GVs have.”

— Misba

136. “The feather smells of death. There must be a dead bird somewhere.”

— Misba

137. “Saying them aloud will only gain two nods from Taha, the kind of nods that make you feel lonely in a crowd.”

— Misba

138. “Now you’re interested. After three years? No wonder you even found me here!” says Mee-Hae. “I’m sure I was harder to find than the tea I’m holding.”

— Misba

139. “Is a venture meaningful if it’s all planned? If it turns into a habit?”

— Misba

140. “Terrible spatial sense! As usual!”

— Misba

141. “Nothing can make a strong voice speak unless he truly wants to.”

— Misba

142. “He closes his eyes, removing the scent from his mind, just as an evolved Grade A should do – not let little thoughts infect his inner quiet.”

— Misba

143. “Why?” Kusha used to ask Rashad, and she’d always get the same answer: “The unevolved kind brings chaos and wars.”

— Misba

144. “The largest wall in the living room is full of framed photos, depicting stories of war, peace, friendship, and love – everything in the last six decades displayed on a single wall.”

— Misba

145. “Late, as usual,” the Mesmerizer greets. “Were you meditating at every crossroad, Monk?” His eyes hidden beneath his hat.”

— Misba

146. “Kusha extended her fingers to trace her new mother’s lips. She assumed lips created words.”

— Misba

147. “Mee-Hae, like the perfect, gentle, and understanding woman from contemporary books of the Old World, lets the Monk avoid her crucial question, the question she should never have overlooked. The question even the Monk will regret not answering right now, right here, not only for her sake but also for his own.”

— Misba

148. “The Monk watches her womb bleeding internally because of her creative mind that is so strong that it turns her imagination into reality. Even though her strong prana heals it at the same rate, constant damage and regeneration is happening inside her. And much of her energy gets drained in cell-building, in self-healing.”

— Misba

149. “Time to exit the wall. Her right wrist, extended through its window, shows her CRAB – her identity, her only proof of being a human, its limbs embedded into her skin.”

— Misba

150. “Kusha touches the pieces of paper before her. The papers glow, sensing the illumination level in her attic.”

— Misba