Top 70 Niall Williams Quotes (2024 Update)

1. “It was a condensed explanation, but I came to understand him to mean you could stop at, not all, but most of the moments of your life, stop for one heartbeat and, no matter what the state of your head or heart, say This is happiness, because of the simple truth that you were alive to say it.”

— Niall Williams

2. “We are our stories. We tell them to stay alive or keep alive those who only live now in the telling.”

— Niall Williams

3. “The truth turns into a story when it grows old. We all become stories in the end. So, though the narrative was flawed, the sense was of a life so lived it was epic.”

— Niall Williams

4. “There are only three great puzzles in the world, the puzzle of love, the puzzle of death, and, between each of these and part of both of them, the puzzle of God. God is the greatest puzzle of all.”

— Niall Williams

5. “Each family functions in their own way, by rules reinvented daily. The strangeness of each of us is somehow accommodated so that there can be such a thing as family and we can all live for some time at least in the same house. Normal is what you know.”

— Niall Williams

6. “The world is more outlandish than some people’s imaginations.”

— Niall Williams

7. “Forgive an old man. I say this here because pretty soon you get to a place where you’re not sure there’ll be a tomorrow, where you think I better say this now, here, because not only is time no longer on your side, you realise that it never was, that things were passing by faster than you could appreciate, and whole marvels, the quickening green of springtime, the shapeless shaped songs of unseen birds, the rising and falling of white waves, were passing without you noticing.”

— Niall Williams

8. “When you are born in one century and find yourself walking around in another there’s a certain infirmity to your footing. May we all be so lucky to live long enough to see our time turn to fable.”

— Niall Williams

9. “Beside the river there are two things you never forget, that the moment you look at a river that moment has already passed, and that everything is on its way somewhere else.”

— Niall Williams

10. “Some people make you feel better about living. Some people you meet and you feel this little lift in your heart, this ‘Ah’, because there’s something in them that’s brighter or lighter, something beautiful or better than you, and here’s the magic: instead of feeling worse, instead of feeling ‘why am I so ordinary?’, you feel just the opposite, you feel glad. In a weird way you feel better, because before this you hadn’t realised or you’d forgotten human beings could shine so.”

— Niall Williams

11. “Hope may or may not be a Thing with Feathers. But it’s definitely a Thing with Claws.”

— Niall Williams

12. “When you’re different you’ve got two choices. You can stand out or you step back.”

— Niall Williams

13. “He had a stillness like white linen folded inside him. But when he heard in the man’s tone the desperate beseeching for life, Hadja Bannerje felt the grief rumple him like an illness of the stomach and acknowledged in himself the awfulness of reaching this place at the end of medicine. This, he thought, is beyond the last page of all the books I have studied. This is a place further than prescription.”

— Niall Williams

14. “Books, music, painting are not life, can never be as full, rich, complex, surprising or beautiful, but the best of them can catch an echo of that, can turn you back to look out the window, go out the door aware that you’ve been enriched, that you have been in the company of something alive that has caused you to realise once again how astonishing life is, and you leave the book, gallery or concert hall with that illumination, which feels I’m going to say holy, by which I mean human raptness. So.”

— Niall Williams

15. “To begin you must be traced into the landscape, your people and your place found. Until they are you are in the wrong story.”

— Niall Williams

16. “When my father first took me to Ennis Library I went down among the shelves and felt company, not only the company of writers, but the readers too, because they had lifted and opened and read these books. The books were worn in a way they can only get worn by hands and eyes and minds.”

— Niall Williams

17. “When I was twelve years old god spoke to my father for the first time.”

— Niall Williams

18. “Your love is doomed, you must give it everything you’ve got.”

— Niall Williams

19. “That’s the thing about boys. Maybe just Irish boys. Boys have No Go Areas, they have an entire geography of places you can’t go because if you do they’ll crack open, they’ll fall apart and you won’t be able to put them back together, not ever. Girls know this. We know. Even love can’t reach some places.”

— Niall Williams

20. “It is what writers do, imagine and feel the pain of others, sometimes at the expense of feeling their own. Here, then, in these pages is mine, the fear of death, of loss, of unexpressed love. Here is the truth told in a story. And in the telling of it perhaps I have found some way to have courage, to believe.”

— Niall Williams

21. “We tell stories. We tell stories to pass the time, to leave the world for a while, or go more deeply into it. We tell stories to heal the pain of living.”

— Niall Williams

22. “Sometimes a moment pierces so perfectly the shields of our everyday it becomes part of you and enjoys the privilege of being immemorial.”

— Niall Williams

23. “Is that true, Ruth?’ Mrs Quinty asked, eyes enormous and brows lifted, missing altogether the point of stories.”

— Niall Williams

24. “The fact is, I did not appreciate until much later in my own life what subterfuge and sacrifice it took to be independent and undefeated by the pressures of reality.”

— Niall Williams

25. “Somehow the river is louder when you cover your ears.”

— Niall Williams

26. “He loved the strange privacy of being different.”

— Niall Williams

27. “It was where, when darkness fell, it fell absolutely, and when you went outside the wind sometimes drew apart the clouds and you stood in the revelation of so many stars you could not credit the wonder and felt smaller in body as your soul felt enormous.”

— Niall Williams

28. “A truly extraordinary work: vivid, passionate and utterly compelling. The Sound of One Hand Clapping is raw as a wound. It opens a world that is strange, brutal and poetic at once and ultimately achieves the kind of spirit-healing few novels do.”

— Niall Williams

29. “She flashed upon his life with an electric energy, shattering every day’s effort at work and leaving a kind of glimmering burning feeling all day and night around the edges of his heart.”

— Niall Williams

30. “Stephen did not intend to go to the concert, not because he disapproved or wanted to distance himself from the notion of such music in a place like west Clare, but because there would be people there.”

— Niall Williams

31. “I read them all, read them one by one with a kind of constant hunger as if they were apples that fed and made you hungry at the same time.”

— Niall Williams

32. “Human beings are not seamless smooth creations, they have insoluble parts, and the closer you look the more mysterious they become.”

— Niall Williams

33. “Women carry on. They endure the way old ships do, breasting into outrageous waters, ache and creak, hull holed and decks awash, yet find anchorage in the ordinary, in tables to be wiped down, pots to scrub, and endless ashes to be put out.”

— Niall Williams

34. “Because there’s no pain yet. There’s too much adrenalin and rhetoric in his bloodstream. There’s whole chunky paragraphs of What it Means to King and Country. Never mind God. There’s fine speeches still pumping up along his arteries, principal and subordinate clauses, the adjectival, the adverbial, in gorgeous Latinate construction and hot breath. It’s the Age of Speeches. There’s exclamation marks doing needle dancing in his brain, and so he gets twenty yards into the war.”

— Niall Williams

35. “So she sees if she can drive him off. The MacCarrolls have that little perverse streak in them. She’d rather break her own heart than have it broken. There’s an Irish logic to it.”

— Niall Williams

36. “It’s a blindness thing, faith.”

— Niall Williams

37. “Faith is the most peculiar thing. It’s Number One in human mysteries. Because how do you do it? Where do you learn it?”

— Niall Williams

38. “Women enjoy watching men work, the same way men enjoy watching women dance. There’s otherness and mystery in it.”

— Niall Williams

39. “All writers are waiting for replies. That’s what I’ve learned. Maybe all human beings are.”

— Niall Williams

40. “She doesn’t know poets can have ash in the soul, or that after so much burning there comes a time when there’s nothing left but blowing away or phoenix-rising.”

— Niall Williams

41. “I sometimes think the worst thing a young person can feel is when you can find no answer to the question of what you are supposed to do with this life you’ve been given.”

— Niall Williams

42. “Men are private. This I have learned. They are whole continents of privacy; you can only go to the borders; you can look in but you cannot enter.”

— Niall Williams

43. “There’s a book inside you. There’s a library inside me.”

— Niall Williams

44. “That was one of the things about him. He walked this line between the comic and the poignant, between the certainly doomed and the hopelessly hopeful. In time I came to think it the common ground of all humanity.”

— Niall Williams

45. “It’s been well-thumbed, at least triple-read, there’s that smell the fat orange-spine Penguins get when their pages have yellowed and the book bulges, basically the smell of complex humanity, sort of sweat and salt and endeavour. Like all the fat orange Penguins, it gets fatter with reading, which it should, because in a way the more you read it the bigger your own experience of the world gets, the fatter your soul.”

— Niall Williams

46. “Dad moved in with the baffled deepsea shyness of a character just arriving in a story already underway.”

— Niall Williams

47. “Love... was part imagination, its web spun as much in the dark lonely separated evenings of longing as in the shared times together.”

— Niall Williams

48. “Everybody carries a world. But certain people change the air about them.”

— Niall Williams

49. “The water is this marvellous blue. It’s so blue that once you see it you realise you’ve never seen blue before. That other thing you were calling blue is some other colour, it’s not blue. This, this is blue. It’s a blue that comes down from the sky into the water so that when you look in the sea you think sky and when you look at the sky you think sea.”

— Niall Williams

50. “You can’t be beautiful and a writer, because to be a writer you have to be the one doing the looking; if you’re beautiful people will be looking at you.”

— Niall Williams