Top 500 Olivie Blake Quotes (2026 Update)
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401. “I think,” he said, “that the inside of your head must require a specific set of keys.” “A whole set of them?” “Oh, almost definitely,” he replied. “I think that, for someone to get close to you, you must have to give them one key at a time. And even then, only one level can be opened at once.”

— Olivie Blake

402. “More interesting than the game is always the players, you know. Well, I suppose more accurately,” he amended, “the game is different depending on the players.”

— Olivie Blake

403. “There was a hardness to her expression, a shadow beneath her eyes, suggesting something had been weighing on her. “Now, it seems everything has always been a lie. A lie that I was stupid enough to believe.”

— Olivie Blake

404. “Maybe he’d known it the moment she’d set eyes on him, in some manner of speaking, because it was the first, the only time Tom Parker had even been witnessed. and it was easier to be cruel than it was to be seen.”

— Olivie Blake

405. “Here, he thought, yanking the sunglasses from his misshapen face – see me. See all of me for what I really am. You’re the only one who ever has.”

— Olivie Blake

406. “At best, Dimitri Fedorov was Marya Antonova’s greatest weakness. At worst, she was his.”

— Olivie Blake

407. “He had told Tristan once that they all had the exact curses they deserved. He understood his own, that he felt everything because he wanted terribly, with all of his being, to feel nothing. Because to feel nothing would be to finally no longer feel pain.”

— Olivie Blake

408. “She knew, after all, which of his motions looked practiced and which of them did not. He wasn’t accustomed to someone being this close to him. This was visibly unrehearsed.”

— Olivie Blake

409. “That was the peril of thought. Thoughts were so rarely dismissed once they’d been picked up and toyed with, and a mind successfully altered could rarely, if ever, revert.”

— Olivie Blake

410. “She understands what people want from her, knows when to give it or not. Isn’t that the point? Isn’t that the success of a rebellion, knowing what people want, so to vehemently deny what others so desperately desire?”

— Olivie Blake

411. “But I’m just the villain, Rhodes. It’s my job to lose.”

— Olivie Blake

412. “Early life – London, England Telepathy.”

— Olivie Blake

413. “She resented it, being tied to him, but the real weight to carry around was the irony, the unassailable significance, the ease of picking up where the other left off. The horror of knowing what it meant to be a soulmate.”

— Olivie Blake

414. “But Dimitri Fedorov, like all heroes, had one near-fatal flaw.”

— Olivie Blake

415. “He matched her distance again, their foreheads meeting like old friends; Hello, how are you, been a long time, how nice it is to be here with you.”

— Olivie Blake

416. “I want you to bet on me, Aldo. I want you to make investments, I want your future.” The last part slipped out. “I want your future, Aldo. I want it for me.”

— Olivie Blake

417. “Aldo found it difficult to focus on something that required so little of his attention;.”

— Olivie Blake

418. “Because you and I, we are so different, aren’t we, and yet we are more like each other than the rest of the world is like us, for that I bless you, I condemn you, I sanctify you, I sustain you.”

— Olivie Blake

419. “Funny how you repeatedly insist that things will change, but some things are just a tale as old as time, aren’t they?”

— Olivie Blake

420. “Fighting for her life was an old feeling; a dead one, but it resurrected easily.”

— Olivie Blake

421. “I thought I was weak for you, Dima, but I was wrong. I’m Marya Antonova,” she told him, meeting his eye, “and I am loved by Dimitri Fedorov, and for that, I could never be weak.”

— Olivie Blake

422. “I’ve learned to expect the least out of the people I thought the highest of.”

— Olivie Blake

423. “Capitalism has a terrible tendency to abandon its principles altogether.”

— Olivie Blake

424. “Death. It was incomplete without an audience.”

— Olivie Blake

425. “He didn’t ask for very much from Regan, which was ideal, because she didn’t typically give very much. If they tired of each other, they simply didn’t speak. They were good at occupying each other’s spaces. She often thought of him as an accessory that matched with everything; some sort of magical mood ring that adapted to whatever persona she had currently filled.”

— Olivie Blake

426. “Am I the girl who stays while others leave?”

— Olivie Blake

427. “What he wants to do is get on his bike and go somewhere he can scream into empty air, where he can take a breath that is not full of her just to prove it can still mean something, just in case.”

— Olivie Blake

428. “Callum would simply have to look Tristan in the eye and say, as un-pathetically as possible, you don’t have to choose me. Just know that it won’t stop me from choosing you.”

— Olivie Blake

429. “Bodies are so faulty already, just moments away from total collapse. The shapes we take – the things housing our souls that we resent and mistreat and yet trust so implicitly – they were just objects of force, constantly acted upon.”

— Olivie Blake

430. “So we love each over, Rhodes, so what?”

— Olivie Blake

431. “The spells of worthlessness and emptiness, the dull rage with its fuzzy indiscriminate lack of concentration, the sharp spikes in antisocial activity, all the isolation and self-sabotage.”

— Olivie Blake

432. “He didn’t see the problem in loving her that way, with a savagery that felt as ancient as his sorrows, until he realized that the could no longer recall a life without her. It was as if the older versions of him had been erased and could no longer exist. He realized that his relationship whit time, whatever it was before, was now forever altered.”

— Olivie Blake

433. “Regan believes there are two ways to manipulate a man: either to let him pursue you or to let him pursue you in a way that makes him feel he’s the pursuit.”

— Olivie Blake

434. “But two centuries of anger had not served him nearly as well as one day of honesty.”

— Olivie Blake

435. “She had the air of someone who had seen a lot and decided to simply close her eyes and stop looking.”

— Olivie Blake

436. “This was a world where stolen knowledge could stay stolen, because plenty of knowledge that came freely remained unscrutinized every day.”

— Olivie Blake

437. “I’m constantly at risk for peril. Ask anyone!”

— Olivie Blake

438. “What an omnipotent little idiot.”

— Olivie Blake

439. “How fragile the craving, he thought, and how delicate it was. How easy it would be to snap it between his fingers, to crush it between his palms. How effortlessly the wanting turned into the franticness of taking, and how very, very easy it was to take.”

— Olivie Blake

440. “You need to be loved, you need someone to believe you’re perfect, you hate being reminded you have flaws.”

— Olivie Blake

441. “Aldo disliked the sensation of being asleep. It felt something very close to being dead, which was an uncomplicated and therefore troubling state of being.”

— Olivie Blake

442. “I know what people want to hear. You make them want to hear what you know.”

— Olivie Blake

443. “Science requires a control group. A known lie,” he clarified, “to compare against possible lies.” “And why would you need a control group?” Seemed obvious to him. “Because I want to know when you’re lying to me.”

— Olivie Blake

444. “To care at all about anyone or anything means inevitably to suffer.”

— Olivie Blake

445. “Alive or dead, her optimal target or not, the blond man was now her only salvation. Take him and cut him up in little stars, shove his broken body in a latch, it did not matter.”

— Olivie Blake

446. “What a relief it was, being a cog in something that actually turned for once.”

— Olivie Blake

447. “I’m keeping you from death, not letting you live. There’s a difference.”

— Olivie Blake

448. “They had always been like stars in orbit, chasing each other, faster and faster until sometimes they got caught, becoming one with the orbit itself. The line where he ended or she began, it inevitably became irrelevant. Her magic responded to his like it had been born in his body. His joined up with hers like it had finally found its way home.”

— Olivie Blake

449. “Fox had always had such expressive eyes, and now they expressed something vulnerable and terrible and loudly, violently dismayed, and Brandt could not breathe for having looked at them.”

— Olivie Blake

450. “You wanted me to know my own power, Parisa? Congratulations. Now I do.”

— Olivie Blake