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Top 450 Rebecca Solnit Quotes (2024 Update)
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Rebecca Solnit Quote: “The attack on truth and language makes the atrocities possible. If you can erase what has happened, silence the witnesses, convince people of the merit of supporting a lie, if you can terrorize people into silence, obedience, lies, if you can make the task of determining what is true so impossible or dangerous they stop trying, you can perpetuate your crimes.”
Rebecca Solnit Quote: “How do you make art when the art that’s all around you keeps telling you to shut up and do the dishes?”
Rebecca Solnit Quote: “The term inspiration is often thought to be about positive and desirable things, and there’s a sentimental image of the muse as a pretty lady who’s the object of the writer’s ardor. For a political writer the inspirations or at least the prods to write are often whatever is most repellent and alarming, and opposition is a stimulant. Stalin was surely Orwell’s principal muse, if not as a personality then as the figure at the center of a terrifying authoritarianism wreathed in lies.”
Rebecca Solnit Quote: “The status quo would like you to believe it is immutable, inevitable, and invulnerable, and lack of memory of a dynamically changing world reinforces this view.”
Rebecca Solnit Quote: “To become a person that occasionally, strangers want to reward because they’ve felt I’ve given them something, is an amazement. Once a young woman passing by an outdoor booth where I was signing books, burst into a spontaneous jig at the sight of me. And that might be the pinnacle of my career. To be somehow an occasion for someone else’s exuberance.”
Rebecca Solnit Quote: “I felt hemmed in, hunted. Over and over women and girls were attacked, not for what they’d done, but because they were at hand when a man wished to. To punish is the word that comes to mind but for what might linger as a question. Not for who, but for what they were, we were. But really for who he was, a man who had the desire and believed he had the right to harm women. To demonstrate that his power was as boundless as her powerlessness.”
Rebecca Solnit Quote: “We think we tell stories, but stories often tell us, tell us to love or hate, to see or be seen. Often, too often, stories saddle us, ride us, whip us onward, tell us what to do, and we do it without questioning. The task of learning to be free requires learning to hear them, to question them, to pause and hear silence, to name them, and then become a story-teller.”
Rebecca Solnit Quote: “Disagreement can be useful even when its intention is adversarial. Half my muses have been haters.”
Rebecca Solnit Quote: “Explorers, the historian Aaron Sachs wrote me in answer to a question, ’were always lost, because they’d never been to these places before. They never expected to know exactly where they were. Yet, at the same time, many of them knew their instruments pretty well and understood their trajectories within a reasonable degree of accuracy. In my opinion, their most important skill was simply a sense of optimism about surviving and finding their way.”
Rebecca Solnit Quote: “We don’t even have a language for this emotion, in which the wonderful comes wrapped in the terrible, joy in sorrow, courage in fear. We cannot welcome disaster, but we can value the responses, both practical and psychological.”
Rebecca Solnit Quote: “Like William Morris, he believed that paradise was behind us, in the old ways of life, and in the organic world, rather than ahead of us in an urbanized and industrialized future.”
Rebecca Solnit Quote: “I wanted language that could be simple and clear when the subject required it, but sometimes clarity requires complexity. I believe in the irreducible and in invocation and evocation, and I am fond of sentences less like superhighways than winding paths, with the occasional scenic detour or pause to take in the view, since a footpath can traverse steep and twisting terrain that a paved road cannot. I know that sometimes what gets called digression is pulling in a passenger who fell off the boat.”
Rebecca Solnit Quote: “Some men told me they wished someone would sexually harass them, because they seemed to be unable to imagine it as anything but pleasant invitations from attractive people. No one was offering the help of recognizing what I was experiencing or agreeing that I had the right to be safe and free. It was a kind of collective gaslighting.”
Rebecca Solnit Quote: “When I read, I ceased to be myself, and this nonexistence I pursued and devoured like a drug.”
Rebecca Solnit Quote: “A manilla envelope came through the mail slot a few weeks later. I had a little queasiness about meeting that teenager directly, and so I waited several years to open it.”
Rebecca Solnit Quote: “I wanted English to be an instrument on which many kinds of music could be played. I wanted writing that could be lavish, subtle, evocative, that could describe mists and moods and hopes and not just facts and solid objects. I wanted to map how the world is connected by patterns and intuitions and resemblances. I wanted to trace the lost patterns that came before the world is broken and find the new ones we could make out of the shards.”
Rebecca Solnit Quote: “We often say silenced, which presumes someone attempted to speak. In my case, it wasn’t a silencing because no speech was stopped; it never started, or it had been stopped so far back I don’t remember how it happened. It never occurred to me to speak to the men who pressured me then, because it didn’t occur to me that I had the authority to assert myself thus or that they had any obligation or inclination to respect my assertions, or that my words would do anything but make things worse.”
Rebecca Solnit Quote: “Opportunistic theft and burglary are, historically, rare in American disasters, rare enough that many disaster scholars consider it one of the “myths” of disaster. Some such opportunism happened in Katrina. The first thing worth saying about such theft is who cares if electronics are moving around without benefit of purchase when children’s corpses are floating in filthy water and stranded grandmothers are dying of heat and dehydration?”
Rebecca Solnit Quote: “In a sense these books on walks for their own sakes are the literature of paradise, the story of what can happen when nothing profound is wrong, and so the protagonist – healthy, solvent, uncommitted – can set out seeking minor adventure. In paradise, the only things of interest are our own thoughts, the character of our companions, and the incidents and appearance of the surroundings.”
Rebecca Solnit Quote: “Walking allows us to be in our bodies and in the world without being made busy by them.”
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