Top 300 Sophie Kinsella Quotes (2024 Update)
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251. “Suddenly I can’t bear being near him anymore. I can’t bear seeing his generous, brave face, his woodland eyes, his everything... and knowing that they can’t be mine.”

— Sophie Kinsella

252. “You have no idea what Linus is thinking. It could be good, it could be bad. Most likely, it’s nothing at all. He’s a boy. You’d better get used to that.”

— Sophie Kinsella

253. “She says screens are the cigarettes of our age. They’re toxic, and we’re only going to realize the damage they’re doing when it’s too late.”

— Sophie Kinsella

254. “She’s not talking to me. She’s talking to the Imaginary Daily Mail Judge, who constantly watches her life and gives it marks out of ten.”

— Sophie Kinsella

255. “But at the same time, my resolve is hardening like lacquer. I’m taking time out, but I’m not giving up. I mean, I’m only in my twenties; am I going to let one setback crush my ambition? No.”

— Sophie Kinsella

256. “He feels like fun. He feels like cleverness and irreverence and wit and charm, all packaged up in a long, lean frame.”

— Sophie Kinsella

257. “Every promotion requires you to do less of the thing you originally wanted to do.”

— Sophie Kinsella

258. “I honestly feel as though I’ve run an obstacle course to get here. In fact, I think, they should list shopping as a cardiovascular activity. My heart never beats as fast as it does when I see a “reduced by 50 percent” sign.”

— Sophie Kinsella

259. “She somehow understands that I have to know how Seb is, because I feel this strange, inextricable link to him. Which isn’t a relationship – God, of course not. We’re not even friends, really. It’s just... it’s a different kind of thing. A yearning. A tugging in my heart. A need to be with him and know that he’s OK. I mean, what would you call that?”

— Sophie Kinsella

260. “If I ran the country there’d be courses in things that you’d actually use your whole life. Like: How to do eyeliner. How to fill in a tax return. What to do when your loo blocks and your dad isn’t answering the phone and you’re about to have a party.”

— Sophie Kinsella

261. “But the trouble with asking your subconscious what it wants is, it just laughs at you and says, ‘Work it out for yourself, moron.”

— Sophie Kinsella

262. “Is that what he thinks? I mean, I know it’s the truth, but it shouldn’t be what he thinks. Husbands should think the best of their wives, as a matter of principle.”

— Sophie Kinsella

263. “What if our children are all super-bright and I can’t understand what they’re saying and they look down on me because I haven’t got a PhD?”

— Sophie Kinsella

264. “This family may be broken. It may be shattered. But it’s my broken, shattered family. And I want to be here, I finally admit to myself. To be at the party, even if I’m invisible. This is the last hurrah, even if no one’s cheering. I just can’t walk away.”

— Sophie Kinsella

265. “Husband disappeared? Order in your lover instead.”

— Sophie Kinsella

266. “I know exactly what Luke’s doing. He’s trying to push me and Suze together so we can make up. Which is really sweet of him. But I feel like a panda being told to mate with another panda that clearly doesn’t fancy me.”

— Sophie Kinsella

267. “Hi there, gang!”

— Sophie Kinsella

268. “It’s just, there’s something compelling about very beautiful people. Especially strong-jawed men with stubble and intense eyes. You fall under their spell and believe anything they say.”

— Sophie Kinsella

269. “You can’t hold on to things just because of the memories. Otherwise, no one would ever move house. Or country. Or chuck a crap boyfriend. Every crap boyfriend has at least one good memory attached to him. But you have to let them go. Otherwise, you’re all, ‘Oh, but there was that lovely time we walked in the autumn leaves.”

— Sophie Kinsella

270. “Small talk depletes creativity. Social media stifles thought. Even choosing an outfit every morning is needless effort. So, for one week, we will let all that nonsense go. We will engage instead with big talk. Character. Plot.”

— Sophie Kinsella

271. “I would go so far as to say I can’t seem to build the life I want without you. Nothing fits.”

— Sophie Kinsella

272. “I feel a blinding shaft of terror, which I tell myself to ignore, as my brain will often try to send me messages that are untrue and I do not have to listen to them. This is lesson one at St. John’s: your brain is an idiot.”

— Sophie Kinsella

273. “People move on. Friendship end.”

— Sophie Kinsella

274. “Whatever the Grinch can steal, it’s not Christmas.”

— Sophie Kinsella

275. “Some people are born into roles. Others have roles thrust upon them.”

— Sophie Kinsella

276. “She looked like a mean newsreader.” I put on an exaggerated TV voice. “Hello. This is the Mean News. You’re all rubbish and I despise you.”

— Sophie Kinsella

277. “A break from what? Until that moment we’d been fine. So clearly what he needed a break from was the risk of hearing the word “marriage” again.”

— Sophie Kinsella

278. “All I can say is, she’s the one I think about.” Margaret pauses, and her voice softens as she reads. “All the time. She’s the voice I want to hear. She’s the face I hope to see.” My throat is full of lumps. I’m swallowing desperately, trying to keep my composure. He’s the one I think about. All the time. He’s the voice I want to hear. When my phone bleeps, I hope it’s him.”

— Sophie Kinsella

279. “All of you make these easy, obvious, lazy assumptions that anyone under the age of eighteen is a pathological, dishonest sub-human with no integrity. But we’re people, just like you, and you don’t seem to get that!”

— Sophie Kinsella

280. “But life can’t be about holding on to the bad things. It has to be about grabbing on to good things and letting the bad things go.”

— Sophie Kinsella

281. “Some things are private. I mean, we’re grown-ups now. You don’t share everything.”

— Sophie Kinsella

282. “Silence is great. It’s peaceful. It’s something we all need, in this hectic modern life, silence.”

— Sophie Kinsella

283. “I feel an irrational craving to gaze at his familiar face from this place of safety all night. But I can’t. And I’m being stupid, because this isn’t old Joe, whom I loved and understood. This is new Joe, who is cruel and inexplicable. They only look the same.”

— Sophie Kinsella

284. “Family bloody first. I’m not saying Dad was wrong, I’ll never say that, but maybe I’m starting to see “family”differently. It’s not just the people you share genes with; it’s the people you share loyalty and friendship and respect with. It’s the people you love.”

— Sophie Kinsella

285. “The option I’d really like,” he says matter-of-factly, “is to build a life with you. A strong, put-together kind of life. I know you’re pretty good at assembly yourself, probably better than I am, in fact. So maybe it could be... a joint project?”

— Sophie Kinsella

286. “A relationship isn’t a snapshot.” He nods down at the phone. “It’s a journey.”

— Sophie Kinsella

287. “He’s hopeless,” sighs Suze. “You know, he can name about a hundred breeds of sheep but not one of Madonna’s husbands.”

— Sophie Kinsella

288. “For someone who looks after hearts, you can be careless. You know you broke mine, don’t you?”

— Sophie Kinsella

289. “But even bitterness fades away eventually. We both have to believE that. Don’t we?”

— Sophie Kinsella

290. “I think talking to other people can bring its own unhelpful baggage. Sometimes you just need to talk to an entity. The void. Your God.”

— Sophie Kinsella

291. “Life gets in the way of dreams. Dreams get in the way of life. That’s the way it’s always been.”

— Sophie Kinsella

292. “Zoose! I started off at a sprint, giving it my all, thinking I was on a solid path toward an exciting horizon. But the path isn’t solid anymore. It’s mud. Deep, gloopy mud. I.”

— Sophie Kinsella

293. “Buy calmly and with meaning.”

— Sophie Kinsella

294. “The art of fiction is to present reality as though it’s unreality.” She addresses the whole room. “Be artful. Use disguises.”

— Sophie Kinsella

295. “Standing behind a pillar toward the back, tall and dark and solid, his eyes fixed on mine. Looking at me and no one else. And as I gaze back at him, I feel restored.”

— Sophie Kinsella

296. “He said that he and Mum had often talked about the kind of man I would marry, and they’d always disagreed on everything except one thing – “he’ll have to be on his toes.” Then he looked at Luke, who obligingly got up and turned a pirouette, and everyone roared with laughter.”

— Sophie Kinsella

297. “Mrs Brandon.’ The sonographer cuts me off. ‘You’re talking to your bladder.”

— Sophie Kinsella

298. “Yes, Ermintrude.” I muster a smile. “Ermintrude the hamster.” The spotlight finally moves off me, and Dix Donahue comes to the end of his speech, and I look up to see Luke giving me a little wink as he approaches through the crowd. “I’ll get you a new hamster this Christmas, darling,” he says over the sound of applause. “We’ll fight the discrimination together. If you can be brave enough, so can I.”

— Sophie Kinsella

299. “You can’t fix something if you’re hiding from it.”

— Sophie Kinsella

300. “I’m allergic to everything contact.” “No you’re not,” he says at once. “You’re not allergic to brain contact. I mean you write notes. You talk. You still want to talk to people, you just can’t. So your body needs to catch up with your brain.”

— Sophie Kinsella