Top 500 Sylvia Plath Quotes (2025 Update)
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451. “I could never be a complete scholar or a complete housewife ora completewriter: Imustcombinea little of all, and thereby be imperfect in all.”

— Sylvia Plath

452. “And what is happy? It is a going always on. There is something better to be done than I have done, and spurred by the fair delusion of progress, I will seek to progress, to whip myself on, to more and more- to learning. Always.”

— Sylvia Plath

453. “It was sometime in October; she had long ago lost track of all the days and it really didn’t matter because one was like another and there were no nights to separate them because she never slept any more.”

— Sylvia Plath

454. “I walk, talking to the moon, to the neutral impersonal force that does not hear, but merely accepts my being. And does not smite me down.”

— Sylvia Plath

455. “Bright beads of red are rising through the ink, Hearts-blood bubbles smearing out into the black stream.”

— Sylvia Plath

456. “I decided I would put off the novel until I had gone to Europe and had a lover, and that I would never learn a word of shorthand. If I never learned shorthand I would never have to use it.”

— Sylvia Plath

457. “Death may whiten in sun or out of it.”

— Sylvia Plath

458. “Buddy was very proud of his perfect health and was always telling me it was psychosomatic when my sinuses blocked up and I couldn’t breathe. I thought this an odd attitude for a doctor to have and perhaps he should study to be a psychiatrist instead.”

— Sylvia Plath

459. “For the few little successes I may seem to have, there are acres of misgivings and self-doubt.”

— Sylvia Plath

460. “How many different deaths I can die?”

— Sylvia Plath

461. “To look at her, you might not guess that inside she is laughing and crying, at her own stupidities and luckiness, and at the strange enigmatic ways of the world which she will spend lifetime trying to learn and understand.”

— Sylvia Plath

462. “I want to be silverly beautiful.”

— Sylvia Plath

463. “You smile. No, it is not fatal.”

— Sylvia Plath

464. “As a poet I would say everything should be able to come into a poem but I can’t put toothbrushes in a poem. I really can’t.”

— Sylvia Plath

465. “Eccentricities, the perils of being too special, were reasoned and cooed from us like sucked thumbs.”

— Sylvia Plath

466. “Betsy started to tell about the male and female corn in Kansas. She got so excited about that damn corn even the producer had tears in his eyes, only he couldn’t use any of it, unfortunately, he said.”

— Sylvia Plath

467. “People and trees receded on either hand like the dark sides of a tunnel as I hurtled on to the still, bright point at the end of it, the pebble at the bottom of the well, the white sweet baby cradled in its mother’s belly.”

— Sylvia Plath

468. “Though it’s quite clear all your beauty, all your wit, is a gift, my dear, from me.”

— Sylvia Plath

469. “Only the mouth-hole piped out, Importunate cricket In a quarry of silences. The people of the city heard it. They hunted the stones, taciturn and separate, The mouth-hole crying their locations. Drunk as a fetus I suck at the paps of darkness. The food tubes embrace me. Sponges kiss my lichens away. The jewelmaster drives his chisel to pry Open one stone eye. This is the after-hell: I see the light. A wind unstoppers the chamber.”

— Sylvia Plath

470. “My flesh winced, in cowardice, from such a death.”

— Sylvia Plath

471. “Whose is that long white box in the grove, what have they accomplished, why am I cold.”

— Sylvia Plath

472. “It’s like watching paris from an express caboose heading in the opposite direction – every second the city gets smaller and smaller, only you feel it’s really you getting smaller and smaller and lonelier and lonelier, rushing away from all those lights and that excitement at about a million miles an hour.”

— Sylvia Plath

473. “I saw the years of my life spaced along a road in the form of telephone poles threaded together by wires. I counted one, two, three... nineteen telephone poles, and then the wires dangled into space, and try as I would, I couldn’t see a single pole beyond the nineteenth.”

— Sylvia Plath

474. “I collected men with interesting names. I already knew a Socrates. He was tall and ugly and intellectual and the son of some big Greek movie producer in Hollywood, but also a Catholic, which ruined it for both of us.”

— Sylvia Plath

475. “I felt the first man I slept with must be intelligent, so I could respect him.”

— Sylvia Plath

476. “Why is it that I find it so difficult to accept the present moment, whole as an apple, without cutting and hacking at it to find a purpose, or setting it up on a shelf with other apples to measure its worth or trying to pickle it in brine to preserve it, and crying to find it turns all brown and is no longer simply the lovely apple I was given in the morning?”

— Sylvia Plath

477. “It is a feeling that no matter what the ideas or conduct of others, there is a unique rightness and beauty to life which can be shared in openness, in wind and sunlight, with a fellow human being who believes in the same basic principles.”

— Sylvia Plath

478. “The constant struggle in mature life, I think, is to accept the necessity of tragedy and conflict, and not to try to escape to some falsely simple solution which does not include these more somber complexities.”

— Sylvia Plath

479. “The artist’s life nourishes itself on the particular, the concrete.”

— Sylvia Plath

480. “Antoine St. Exupery once mourned the loss of a man and the secret treasures that he held inside him. I loved Exupery; I will read him again, and he will talk to me, not being dead, or gone. Is that life after death – mind living on paper and flesh living in offspring? Maybe. I do not know.”

— Sylvia Plath

481. “My heroine would be myself, only in disguise.”

— Sylvia Plath

482. “I may have made a straight A in physics, but I was panic-struck. Physics made me sick the whole time I learned it.”

— Sylvia Plath

483. “God, who am I?”

— Sylvia Plath

484. “The faces were empty as plates, and nobody seemed to be breathing.”

— Sylvia Plath

485. “I’m doped and thick from my last sleeping pill.”

— Sylvia Plath

486. “The balled Pulp of your heart Confronts its small Mill of silence.”

— Sylvia Plath

487. “It doesn’t take two to dance, it only takes one.”

— Sylvia Plath

488. “I felt overstuffed and dull and disappointed, the way I always do the day after Christmas, as if whatever it was the pine boughs and the candles and the silver and gilt-ribboned presents and the birch-log fires and the Christmas turkey and the carols at the piano promised never came to pass.”

— Sylvia Plath

489. “It was a face that needed soap and water and Christian tolerance.”

— Sylvia Plath

490. “One thing, I try to be honest. And what is revealed is often rather hideously unflattering.”

— Sylvia Plath

491. “She looks like a woman who has found it ridiculous to commit herself to a single emotional stance in anything, but must always ride high heavy irony.”

— Sylvia Plath

492. “The human mind is so limited it can only build an arbitrary heaven – and usually the physical comforts they endow it with are naively the kind that can be perceived as we humans perceive – nothing more.”

— Sylvia Plath

493. “There is no life higher than the grasstops.”

— Sylvia Plath

494. “Something about the frank, guileless blue eyes, the beautiful young bodies, the brief scent of the dying flowers smote me like the clean quick cut of a knife. And the blood of love welled up in my heart with a slow pain.”

— Sylvia Plath

495. “All my life I’d told myself studying and reading and writing and working like mad was what I wanted to do, and it actually seemed to be true, I did everything well enough and got all A’s, and by the time I made it to college nobody could stop me.”

— Sylvia Plath

496. “I have the one person I could ever love in this world. Now I must work to be a person worthy of that.”

— Sylvia Plath

497. “You are twenty. You are not dead, although you were dead. The girl who died. And was resurrected. Children. Witches. Magic. Symbols. Remember the illogic of the fantasy. The strange tableau in the closet behind the bathroom: the feast, the beast, and the jelly-bean. Recall, remember: please do not die again.”

— Sylvia Plath

498. “Why am I obsessed with the idea I can justify myself by getting manuscripts published? Is it an escape-an excuse for any social failure-so I can say “No, I don’t go out for many extracurricular activities, but I spend a lot of time writing.””

— Sylvia Plath

499. “I said: I must remember this, being small.”

— Sylvia Plath

500. “Living with him is like being told a perpetual story: his mind is the biggest, most imaginative I have ever met. I could live in its growing countries forever.”

— Sylvia Plath