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Top 3 Tahmima Anam Quotes (2025 Update)

Tahmima Anam Quote: “Her hands on the harmonium were delicate, square-tipped, her bitten-down nails paying homage to the seriousness of the task; her brows were knitted together in the service of the song, and in the end it was only to the music that she was bound. In singing she was, in only briefly, a supplicant, as though in the presence of a divinity that even she, devout non-believer, had to somehow acknowledge.”

1. “Her hands on the harmonium were delicate, square-tipped, her bitten-down nails paying homage to the seriousness of the task; her brows were knitted together in the service of the song, and in the end it was only to the music that she was bound. In singing she was, in only briefly, a supplicant, as though in the presence of a divinity that even she, devout non-believer, had to somehow acknowledge.”

— Tahmima Anam

Tahmima Anam Quote: “It was like that with her mother – memory upon memory stacked together like the feathers in a wild bird, there to keep her warm, or when she needed to, fly. She was the wings of her, the very wings.”

2. “It was like that with her mother – memory upon memory stacked together like the feathers in a wild bird, there to keep her warm, or when she needed to, fly. She was the wings of her, the very wings.”

— Tahmima Anam

Tahmima Anam Quote: “Diana accuses me of losing my sense of history. The hands that arrange her bones, that brush away the layers of earth that weighed heavy on her for fifty million years, those hands should be light and unattached, not heartsick, that embarrassing word, not longing for human touch, for the particular grooves of another person’s lifetline, but something else entirely, a pair of moving parts mindful of all that is ancient, and endures. I bristle at her rebuke, knowing she is right.”

3. “Diana accuses me of losing my sense of history. The hands that arrange her bones, that brush away the layers of earth that weighed heavy on her for fifty million years, those hands should be light and unattached, not heartsick, that embarrassing word, not longing for human touch, for the particular grooves of another person’s lifetline, but something else entirely, a pair of moving parts mindful of all that is ancient, and endures. I bristle at her rebuke, knowing she is right.”

— Tahmima Anam

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