Top 15 Vito Acconci Quotes (2024 Update)

Vito Acconci Quote: “Architecture is not about space but about time.”

1. “Architecture is not about space but about time.”

— Vito Acconci

Vito Acconci Quote: “It’s not the bullet that kills you, it’s the hole.”

2. “It’s not the bullet that kills you, it’s the hole.”

— Vito Acconci

Vito Acconci Quote: “It’s language as a kind of structural system. A diagram of a sentence, now that seems like a kind of architectural model. I don’t know how to explain it, but it would be nice to try. Why, why this fascination?”

3. “It’s language as a kind of structural system. A diagram of a sentence, now that seems like a kind of architectural model. I don’t know how to explain it, but it would be nice to try. Why, why this fascination?”

— Vito Acconci

Vito Acconci Quote: “Especially once those poetry events began, because, yeah, the stuff was still on the page, but the page was starting to spill into real space, spill into air, once you could hear it, once there was a typewriter, once there was a body of a typist, it was getting rid of the confines of the page.”

4. “Especially once those poetry events began, because, yeah, the stuff was still on the page, but the page was starting to spill into real space, spill into air, once you could hear it, once there was a typewriter, once there was a body of a typist, it was getting rid of the confines of the page.”

— Vito Acconci

Vito Acconci Quote: “I was always fascinated by diagramming a sentence. Because that is going into a space, going into a world of language.”

5. “I was always fascinated by diagramming a sentence. Because that is going into a space, going into a world of language.”

— Vito Acconci

Vito Acconci Quote: “Everybody uses labels: they give you a handle on things – an over-simplified handle, sure, but without labels, without ads, without words, the world would be an indistinguishable mass, a blur. You can hope, maybe, that people ascribe so many labels to you that none wins out.”

6. “Everybody uses labels: they give you a handle on things – an over-simplified handle, sure, but without labels, without ads, without words, the world would be an indistinguishable mass, a blur. You can hope, maybe, that people ascribe so many labels to you that none wins out.”

— Vito Acconci

Vito Acconci Quote: “There’s a legal term for a problem in public space: something that might draw people to an area-say, across train tracks-where they might be caused harm. It’s called a ‘public nuisance.’ I wouldn’t mind being called that for my life’s work.”

7. “There’s a legal term for a problem in public space: something that might draw people to an area-say, across train tracks-where they might be caused harm. It’s called a ‘public nuisance.’ I wouldn’t mind being called that for my life’s work.”

— Vito Acconci

Vito Acconci Quote: “I’m using my own person in pieces, but I’m trying to turn my person into a nonperson in the sense of a person without will, without volition. I’m subjecting myself to a scheme.”

8. “I’m using my own person in pieces, but I’m trying to turn my person into a nonperson in the sense of a person without will, without volition. I’m subjecting myself to a scheme.”

— Vito Acconci

Vito Acconci Quote: “If something’s public then it seems like the important thing is the person in that public. And the notion of rhetoric. I went to Jesuit schools that focused on first there’s grammar, then there’s rhetoric, and rhetoric’s usually seen as a kind of degraded method, because you’re trying to persuade.”

9. “If something’s public then it seems like the important thing is the person in that public. And the notion of rhetoric. I went to Jesuit schools that focused on first there’s grammar, then there’s rhetoric, and rhetoric’s usually seen as a kind of degraded method, because you’re trying to persuade.”

— Vito Acconci

Vito Acconci Quote: “You could walk around behind the typist and read the text, which was about hearing, and what you heard was the sound of the typewriter. Of course, this was a pre-electric typewriter, a typewriter that made noise.”

10. “You could walk around behind the typist and read the text, which was about hearing, and what you heard was the sound of the typewriter. Of course, this was a pre-electric typewriter, a typewriter that made noise.”

— Vito Acconci

Vito Acconci Quote: “Maybe I had to stop photographing so that I could learn to touch.”

11. “Maybe I had to stop photographing so that I could learn to touch.”

— Vito Acconci

Vito Acconci Quote: “Even though I always claimed that I didn’t want to write about something – once I wasn’t writing fiction, anyway; I think for me the change from fiction to poetry was that in fiction I was writing about something, in poetry I was writing something.”

12. “Even though I always claimed that I didn’t want to write about something – once I wasn’t writing fiction, anyway; I think for me the change from fiction to poetry was that in fiction I was writing about something, in poetry I was writing something.”

— Vito Acconci

Vito Acconci Quote: “I can pick out people in this city to follow. I can be in a show at the Museum of Modern Art, my space in the Museum of Modern Art is my mailbox, my mail is delivered there. Whenever I want mail, I have to go through this city to get my mail.”

13. “I can pick out people in this city to follow. I can be in a show at the Museum of Modern Art, my space in the Museum of Modern Art is my mailbox, my mail is delivered there. Whenever I want mail, I have to go through this city to get my mail.”

— Vito Acconci

Vito Acconci Quote: “Writing was always a laborious thing for me. I never wrote fluently, I never wrote fluidly, there was something very awkward in my writing. But it seemed to me purposely awkward. It’s almost as if I made the labor part of writing.”

14. “Writing was always a laborious thing for me. I never wrote fluently, I never wrote fluidly, there was something very awkward in my writing. But it seemed to me purposely awkward. It’s almost as if I made the labor part of writing.”

— Vito Acconci

Vito Acconci Quote: “I always thought of writing as public, I never thought of writing a diary. I had been struck by, jolted by things I had read, and I wanted to do the same to others. I don’t think it ever was the notion of an autobiography; I skipped that phase totally, I think.”

15. “I always thought of writing as public, I never thought of writing a diary. I had been struck by, jolted by things I had read, and I wanted to do the same to others. I don’t think it ever was the notion of an autobiography; I skipped that phase totally, I think.”

— Vito Acconci

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