Top 180 Emma Chase Quotes (2025 Update)
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101. “Who does that – kisses a woman’s hand? No one I’ve ever met, that’s for damn sure.”

— Emma Chase

102. “I never realised that the downside of getting to know a woman before I screw her is the possibility that I might not want to screw her after I know her. That a personality could have such a devastating effect on desirability. It’s depressing. My whole worldview is blown to bits.”

— Emma Chase

103. “Happy endings are for all of us.”

— Emma Chase

104. “Then Drew Evans strolls into my room. Drew is like no one I’ve ever known. It’s as if there’s a spotlight on him that never dims – he demands your notice.”

— Emma Chase

105. “Whipping boy?” Martin pipes up, raising his hand. “I volunteer as tribute.” I.”

— Emma Chase

106. “I should have known better. Arguing with Drew is like dealing with a terrorist. He has no boundaries; nothing’s off limits. There are no depths he won’t sink to to win. Then he looks thoughtful.”

— Emma Chase

107. “Some advice – when you’re angry with your significant other, try not to tell your friends. Because after you’ve forgiven him? They’ll never forget.”

— Emma Chase

108. “You think you have it all under control. Your path so perfectly mapped out. And then one day you’re driving along and bam! You get rammed from behind on the freeway. And you never saw it coming. People are like that too. Unpredictable. No matter how well you think you know somebody? How confident you are of their feelings, their reactions? They can still surprise you. And in the most devastating of ways.”

— Emma Chase

109. “Happy ending aren’t just for royalty. Happy ending are for all of us.”

— Emma Chase

110. “He groans deep and hard from his chest. And even with a crown on my head, I’ve never felt so powerful. That sound. I want to make him make that sound again. Longer and lower.”

— Emma Chase

111. “Ellie screwed a plaque into the back of one of the chairs: “His Royal Ass Was Here.” Beside it, Marty scratched into the wood: “And it was fiiine.” I.”

— Emma Chase

112. “There’s no way the person who made these lists actually has kids. They should be shot. And at this moment, I would defend the person who shoots them, pro bono. Just saying.”

— Emma Chase

113. “Ellie jumps out of her chair. “I knew it! He’s Jerry McGuiring you! He’s Jerry McGuiring you, because you complete him!!”

— Emma Chase

114. “It’s important that a woman doesn’t feel like the ugly sister. The second, lesser choice. That’s a bitterness that won’t sweeten.”

— Emma Chase

115. “Cover your knobber before you bob her – that’s.”

— Emma Chase

116. “We shy away from the things that hurt us – that have hurt us in the past. That’s what scars are for. They protect the wounds. Cover them with thick, numb tissue so we’ll never feel the same pain again.”

— Emma Chase

117. “That won’t give me my lipstick back, you little brat!” “I couldn’t help myself!” she pleads. And I unconsciously nod. That’s it, kid – go with insanity. It’s all you’ve got left.”

— Emma Chase

118. “You should go out with your friends, Chelsea. Have fun.” No matter how much I hate the idea. “The kids and I will be fine.”

— Emma Chase

119. “Choosing between dull and dishonest is like being asked whether you want to be shot or stabbed. “What.”

— Emma Chase

120. “A good friends should be able to tell you anything. Maybe your boyfriend’s screwing around, or a dress that makes your love handles hang over like a shar-pei’s skin? In either case, if they’re not brave enough to tell it like it is? They’re not your best friend.”

— Emma Chase

121. “Not for the first time, I wonder if Drew Evans is the devil – or a close relation. I can picture him offering the fastingChrist a loaf of bread and making it sound completely acceptable for him to take a big ole bite out of it.”

— Emma Chase

122. “I shrug, trying to seem cool and unaffected. “Might look a bit too ‘Putin’ on the horse.” He.”

— Emma Chase

123. “When he’s gone, I turn around to ask Olivia if she’s all right, and I’d be lying if I said I wasn’t expecting a little show of gratitude. Perhaps with her mouth, hopefully with her hands – and just maybe if she’s really grateful, she’ll bring some hip-grinding action into the equation. She gives me some mouth, all right. “Who the hell do you think you are?” Her hands are on her hips, her cheeks are flushed and she’s livid. Cock-stirringly stunning – but absolutely furious. “Do.”

— Emma Chase

124. “I love her. It can’t end this way.”

— Emma Chase

125. “You can’t blame the nuclear missile for going off after all its buttons have been pushed.”

— Emma Chase

126. “The only thing that smells better than a new book is an old one.” I.”

— Emma Chase

127. “I feel it too, Ellie. I always have.”

— Emma Chase

128. “My story hasn’t been written yet, but I know it begins with you.”

— Emma Chase

129. “There are meetings in books that stand out, that alter the course of the story. Profound encounters between characters when one soul seems to say to the other, “There you are – I’ve been looking for you.”

— Emma Chase

130. “My pelvis swoons like a romance novel heroine who just saw her Brad Pitt circa Legends of the Fall–like hero riding toward her on horseback. Either.”

— Emma Chase

131. “Gossip is petty, but in the world of politics it’s also essential.”

— Emma Chase

132. “Perspective doesn’t just change how you look at things, it changes how you feel. And once you think you’ve lost it all, you value every moment infinitely more.”

— Emma Chase

133. “I can’t make out what they’re saying; it sounds like: hiss, blah, she hiss, squeak. But the aunt appears to speak the native language.”

— Emma Chase

134. “I want to be above you, beneath you, behind you. I want you weak, drained from coming, hoarse from screaming my name. I’m going to need hours, baby. Fuckin’ days.”

— Emma Chase

135. “I take my time raising my eyes to hers. There’s a difference between pity and compassion, and I’ve had twenty-two years of practice in noting the distinction. Pity is feeling sorry for someone, while being glad you’re not them. Compassion is a shared pain – you hurt with them; their pain becomes your own.”

— Emma Chase

136. “I want you, Callie. For as long as you’re here, for as long as you’ll let me have you. I want all of you.”

— Emma Chase

137. “Anyone worth doing, is worth doing well.”

— Emma Chase

138. “I love the look of chastisement on a powerful man’s face in the morning.”

— Emma Chase

139. “You are driving me crazy!” Her cheeks are flushed, her breathing’s fast, and she’s got murder in her eyes. Beautiful. I raise my brows hopefully. “Crazy? Like you want to rip my shirt open again?” “No. Crazy like the itch of a yeast infection that just won’t go away.”

— Emma Chase

140. “If nightmers can come true, and sometimes they do... than so can our happiest dreams.”

— Emma Chase

141. “Denial is a skill I mastered at a young age. Don’t think about it. Don’t talk about it. Suck it up. Choke it down.”

— Emma Chase

142. “And yet, I just can’t be bothered to give a damn. I want Olivia. In my bed, on my cock, over my face. And I want her to know it. You.”

— Emma Chase

143. “Do we still hang people?” Henry asks, philosophically. When he doesn’t get an answer, he adds, “If not, I’m bringing hanging back.”

— Emma Chase

144. “In third grade I thought I loved her – by sixth grade, I was sure of it.”

— Emma Chase

145. “Looks matter, but confidence is by far the most alluring accessory a woman can wear.”

— Emma Chase

146. “I didn’t plan on you, Chelsea. Or them. and for as long as I live, you will be the best thing that ever happened to me.”

— Emma Chase

147. “It’s never the man who is shamed and ruined. It’s always the woman – the other woman – who gets burned at the stake.” And.”

— Emma Chase

148. “This is going to be so awesome!” He looks sort of ill. “Yeah. Great.” He holds up his fist and gives a pathetic “Woo.”

— Emma Chase

149. “See, children are beautiful. Precious. Angelic. Particularly when they’re asleep. If they’re disturbed mid-sleep-cycle, however? They’re monsters. Irritable, angry little beasts who bear a striking resemblance to gremlins fed after midnight.”

— Emma Chase

150. “You said we’re fighting over nothing, and we’re fighting about how you made me feel – so that means you think my feelings are nothing!” his mouth opens, like a fish searching for oxygen.”

— Emma Chase