Top 180 Emma Chase Quotes (2026 Update)
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151. “When he’s gone, I turn around to ask Olivia if she’s all right, and I’d be lying if I said I wasn’t expecting a little show of gratitude. Perhaps with her mouth, hopefully with her hands – and just maybe if she’s really grateful, she’ll bring some hip-grinding action into the equation. She gives me some mouth, all right. “Who the hell do you think you are?” Her hands are on her hips, her cheeks are flushed and she’s livid. Cock-stirringly stunning – but absolutely furious. “Do.”

— Emma Chase

152. “You were always my girl, Callie. Even after you weren’t any more.”

— Emma Chase

153. “It was the easiest thing I’ve ever done. When I stood up there, in front of all those cameras, it was like when they say your life flashes before your eyes when you’re dying. I saw all the years ahead – and not one of them mattered worth a damn. Because I didn’t have you there with me. I love you, Olivia. I don’t need a kingdom – if you’re beside me, I already have the whole world.”

— Emma Chase

154. “Never have children, Eleanor,” she tells me stiffly. “Ungrateful to the core, the whole lot of them. Write that down.” Dutifully, I tap on my phone.”

— Emma Chase

155. “In third grade I thought I loved her – by sixth grade, I was sure of it.”

— Emma Chase

156. “This is going to be so awesome!” He looks sort of ill. “Yeah. Great.” He holds up his fist and gives a pathetic “Woo.”

— Emma Chase

157. “See, children are beautiful. Precious. Angelic. Particularly when they’re asleep. If they’re disturbed mid-sleep-cycle, however? They’re monsters. Irritable, angry little beasts who bear a striking resemblance to gremlins fed after midnight.”

— Emma Chase

158. “I can’t make out what they’re saying; it sounds like: hiss, blah, she hiss, squeak. But the aunt appears to speak the native language.”

— Emma Chase

159. “I want to be above you, beneath you, behind you. I want you weak, drained from coming, hoarse from screaming my name. I’m going to need hours, baby. Fuckin’ days.”

— Emma Chase

160. “I love the look of chastisement on a powerful man’s face in the morning.”

— Emma Chase

161. “Edward Cullen can take his stupid heroine and OD on it. Kate is my own personal brand of Viagra.”

— Emma Chase

162. “Who says that? Who the hell uses the word ravishing? Douchebags – that’s who.”

— Emma Chase

163. “To really love another person, you have to know them – their quirks, their dreams, what pisses them off and makes them smile, their strengths, weaknesses, and flaws.”

— Emma Chase

164. “The only thing that smells better than a new book is an old one.” I.”

— Emma Chase

165. “I feel it too, Ellie. I always have.”

— Emma Chase

166. “Because I would give up a crown for her.”

— Emma Chase

167. “Use your hearts. We’ll give them everything we’ve got – leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!” A blond boy whispers to his friend, “Who’s Rudy?”

— Emma Chase

168. “Ellie screwed a plaque into the back of one of the chairs: “His Royal Ass Was Here.” Beside it, Marty scratched into the wood: “And it was fiiine.” I.”

— Emma Chase

169. “Cover your knobber before you bob her – that’s.”

— Emma Chase

170. “Anything that came before is nothing. This is all that matters. This brave, stunning girl in my arms is all I will ever need.”

— Emma Chase

171. “That’s because stacked on and around her desk, in neat skyscraper-high columns, are books. About three dozen of them. For a moment, I freeze, my mouth open and my eyes wide with shock. Then, inanely, I wonder how the hell she got them all up here. Kate weighs a buck-ten at best. There’s got to be several hundred pounds of pages in this room. It’s then that her shiny dark head emerges over the horizon. And, once again, she smiles. Like a cat with a mouthful of bird.”

— Emma Chase

172. “You shouldn’t be afraid of dying, Sarah – everyone does it. The only thing to be scared of is not living before you do.”

— Emma Chase

173. “In that moment, every person in the audience falls in love with her. And when she sings about standing before God with nothing on her lips but Hallelujah – I fall in love with her a little bit too. When.”

— Emma Chase

174. “Do we still hang people?” Henry asks, philosophically. When he doesn’t get an answer, he adds, “If not, I’m bringing hanging back.”

— Emma Chase

175. “It’s not my fault keys abandon me. I put them in a specific spot, so I’ll know where they are for later – and I swear to God, they sprout legs and run away. Slippery, little Houdini bastards.”

— Emma Chase

176. “Challenge rises in her eyes. “You’re assuming I actually liked you to begin with. You know what they say about people who assume, ass.”

— Emma Chase

177. “There are meetings in books that stand out, that alter the course of the story. Profound encounters between characters when one soul seems to say to the other, “There you are – I’ve been looking for you.”

— Emma Chase

178. “Gossip is petty, but in the world of politics it’s also essential.”

— Emma Chase

179. “She’s like a Rubik’s Cube. So frustrating at times that you want to toss it out the goddamn window. But you don’t. You can’t. You’re compelled to keep playing with it until you figure it out.”

— Emma Chase

180. “Our job isn’t to protect them from their own dumb choices; it’s to teach them to make better ones. Teach them how not to be a screw-up in a screwed up world.”

— Emma Chase

181. “For a guy, there’s something primordial about a woman covered in your scent – it’s the most primitive way of staking your claim. Of showing every other peckerhead that a woman is very much taken. It’s animalistic, sure, but that doesn’t make it any less arousing.”

— Emma Chase

182. “I can’t stave off the hurt that seeps into my voice. “Why can’t you be happy for me?”

— Emma Chase

183. “That won’t give me my lipstick back, you little brat!” “I couldn’t help myself!” she pleads. And I unconsciously nod. That’s it, kid – go with insanity. It’s all you’ve got left.”

— Emma Chase

184. “Choosing between dull and dishonest is like being asked whether you want to be shot or stabbed. “What.”

— Emma Chase

185. “A good friends should be able to tell you anything. Maybe your boyfriend’s screwing around, or a dress that makes your love handles hang over like a shar-pei’s skin? In either case, if they’re not brave enough to tell it like it is? They’re not your best friend.”

— Emma Chase

186. “I shrug, trying to seem cool and unaffected. “Might look a bit too ‘Putin’ on the horse.” He.”

— Emma Chase

187. “I got filet mignon at home, boys. I’m not interested in Sloppy Joes.”

— Emma Chase

188. “A chaser-away of monsters under the bed, a sneaker of cookies before dinner, an encourager, a protector, a teacher of what a real man is supposed to be.”

— Emma Chase

189. “Looks matter, but confidence is by far the most alluring accessory a woman can wear.”

— Emma Chase

190. “The eighties are a sorely underrated decade in terms of musical composition. They don’t get nearly the respect they deserve. I try to use my platform in the world to bring attention to this travesty by singing eighties ballads whenever I get the chance.”

— Emma Chase

191. “Rock bottom changes you. Glimpsing heaven changes you more.”

— Emma Chase