Top 160 Jonathan Stroud Quotes (2024 Update)

1. “Freedom is an illusion. It always comes at a price.”

— Jonathan Stroud

2. “A dozen more questions occurred to me. Not to mention twenty-two possible solutions to each one, sixteen resulting hypotheses and counter-theorems, eight abstract speculations, a quadrilateral equation, two axioms, and a limerick. That’s raw intelligence for you.”

— Jonathan Stroud

3. “The Amulet of Samarkand. It was Simon Lovelace’s. Now it is yours. Soon it will be Simon Lovelace’s again. Take it and enjoy the consequences.”

— Jonathan Stroud

4. “Besides, if you’re going to die horribly, you might as well do it with style.”

— Jonathan Stroud

5. “I read a bit of the Icelandic sagas. They’re fascinating in that they are completely ordinary. The farmer will go off into the hills and fight a troll, and then go back and do ordinary things. It’s an odd mix of fantasy and reality.”

— Jonathan Stroud

6. “Can you define “plan” as “a loose sequence of manifestly inadequate observations and conjectures, held together by panic, indecision, and ignorance”? If so, it was a very good plan.”

— Jonathan Stroud

7. “Literature offers the thrill of minds of great clarity wrestling with the endless problems and delights of being human. To engage with them is to engage with oneself, and the lasting rewards are not confined to specific career paths.”

— Jonathan Stroud

8. “What is a gathering without unseemly drunkenness?”

— Jonathan Stroud

9. “Don’t worry. I know we have our differences, but there’s a lot of mutual respect there. If he hesitates, I’ll sweet-talk him. He won’t let us down.” “That total and utter idiot,” Lockwood growled. “That mustachioed imbecile. That benighted, blinkered jobsworth. He’s a clown! A fraud! An oaf! I hate him.” “How’s the mutual respect thing going?” George said.”

— Jonathan Stroud

10. “Making tea is a ritual that stops the world from falling in on you.”

— Jonathan Stroud

11. “So stop worrying about the past. The past is for ghosts. We’ve all done things that we regret. It’s what’s ahead of us that counts.”

— Jonathan Stroud

12. “Her clarity gave her purpose and her purpose gave her clarity.”

— Jonathan Stroud

13. “That’s a gesture of endearment in some cultures. Some hug, some kiss, some set each other on fire in small patches of woodland.”

— Jonathan Stroud

14. “Ignoring the whispers of the skull, which kept suggesting different, unlikely kitchen utensils that could be used for murder, I sketched out a map of the room.”

— Jonathan Stroud

15. “Take his appearance. There was something about it that acted as a trigger to one’s worst instincts. His face was uniquely slappable – a nun would have ached to punch him – while his backside cried out to heaven for a well-placed kick.”

— Jonathan Stroud

16. “Nothing could keep me from you. Nothing in life or Death...”

— Jonathan Stroud

17. “That’s usually how they start, the young ones. Meaningless waffle.”

— Jonathan Stroud

18. “If anyone else asked that question, O He Who Is Terrible and Great, I would have said they were an ignorant fool; in you it is a sign of the disarming simplicity which is the fount of all virtue.”

— Jonathan Stroud

19. “What was it that drew you back? My marvellous personality, I suppose? Or my sparkling conversation?”

— Jonathan Stroud

20. “Ambition is all very well, my lad, but you must cloak it.”

— Jonathan Stroud

21. “I rather think he knew anyway.”

— Jonathan Stroud

22. “I am Bartimaeus! I am Sakhr al-Jinni, N’gorso the Mighty, and the Serpent of Silver Plumes! I have rebuilt the walls of Uruk, Karnak, and Prague. I have spoken with Solomon. I have run with the buffalo fathers of the plains. I have watched over Old Zimbabwe till the stones fell and the jackals fed on its people. I am Bartimaeus!”

— Jonathan Stroud

23. “Lucy,′ Lockwood said, ’the last time I saw body language like yours was when we were chatting to Martine Grey about her missing husband, and afterwards found him at the bottom of her freezer.”

— Jonathan Stroud

24. “Hey, we’ve all got problems, chum. I’m overly talkative. You look like a field of buttercups in a suit.”

— Jonathan Stroud

25. “Ah, two firm friends, reunited at last! There should be sweet violin music playing for us, but I’ll settle for the screams of the dying.”

— Jonathan Stroud

26. “Hippo in a skirt: this was a comic reference to one of Solomon’s principal wives, the one from Moab. Childish? Yes. But in the days before printing we had limited opportunities for satire.”

— Jonathan Stroud

27. “Burned and squashed to death in a silver vat of soup. There must be worst ways to go. But not many.”

— Jonathan Stroud

28. “She was so radiant, it was like the other-light was already on her.”

— Jonathan Stroud

29. “And then, as if written by the hand of a bad novelist, an incredible thing happened.”

— Jonathan Stroud

30. “Julius Tallow was a fool. He appeared complacent, but like a weak swimmer out of his depth, his legs were kicking frantically under the surface, trying to keep him afloat. Whatever happened, Nathaniel did not intend to sink with him.”

— Jonathan Stroud

31. “Peace and quiet. That’s one thing to be said for deserts. They give you a chance to get away from the everyday pressures of life. And when those everyday pressures consist of seven furious djinn and one apperplectic master magician, a few hindered thousand square miles of sand, rock, wind, and desolation is exactly what you need.”

— Jonathan Stroud

32. “Death is fugitive; even when you’re watching for it, the actual instant somehow slips between your fingers. You don’t get that sudden drop of the head you see in movies. Instead you simply sit there, waiting for something to happen, and all at once you realize you’ve missed it.”

— Jonathan Stroud

33. “One magician demanded I show him an image of the love of his life. I rustled up a mirror.”

— Jonathan Stroud

34. “Zealots: Wild eyed persons afflicted with incurable certainty about the workings of the world, a certainty that can lead to violence when the world doesn’t fit.”

— Jonathan Stroud

35. “Unfortunately, the body within the uniform belonged to Quill Kipps, so the overall effect was like watching a plague rat lick a bowl of caviar. Yes, the classy element was there, but it wasn’t what you focused on.”

— Jonathan Stroud

36. “Then I realized he was still holding my hand.”

— Jonathan Stroud

37. “Well, when you’re being held at gunpoint by a geriatric madman in a metal skirt, you’ve kind of hit rock bottom anyway. It can’t really get much worse.”

— Jonathan Stroud

38. “The short, fat fingers moved like dancing sausages across the strings;.”

— Jonathan Stroud

39. “So I departed, leaving behind a pungent smell of brimstone. Just something to remember me by.”

— Jonathan Stroud

40. “It was Nathaniel’s boundless capacity for stating the obvious that made him so charmingly human.”

— Jonathan Stroud

41. “This is what the Problem means,” he went on. “This is the effect it has. Lives lost, loved ones taken before their time. And then we hide our dead behind iron walls and leave them to the thorns and ivy. We lose them twice over, Lucy. Death’s not the worst of it. We turn our faces away.”

— Jonathan Stroud

42. “What, are you queuing now? Just how British are you people? Don’t just stand in line! Kill somebody!”

— Jonathan Stroud

43. “We grow up being told about great figures in our society, and as you get older you have to question the stories you’ve been told and decide if these great figures are indeed as great as you’ve been told.”

— Jonathan Stroud

44. “This was classic Lockwood. Friendly, considerate, empathetic. My personal impulse would have been to slap the girl soundly around the face and boot her moaning backside out into the night. Which is why he’s the leader, and I’m not. Also why I have no female friends.”

— Jonathan Stroud

45. “When I was young, I kept a diary for about 10 years and I had to write in it every day. Even on days when nothing seemed to happen, I made myself think of something to put in it.”

— Jonathan Stroud

46. “You speak with eerie calm, but your face promises violence. I feel a little frightened.”

— Jonathan Stroud

47. “At last! Am I glad to see you! Right, stab this guy quickly, and let’s be going.”

— Jonathan Stroud

48. “In my youth, I was always one for the dramatic entrance. Now, in keeping with my character, I gravitate more toward the subtle and refined. Okay, with the occasional feathered serpent thrown in.”

— Jonathan Stroud

49. “Well, she may think it was her idea, but I’d been looking for an excuse to get you back all winter.”

— Jonathan Stroud

50. “Here we go,” the Skull sighed. “Cue crisis!”

— Jonathan Stroud