Top 500 Veronica Roth Quotes (2025 Update)
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351. “He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife?”

— Veronica Roth

352. “I am a naturally curious person. -Tris.”

— Veronica Roth

353. “I note how calm she looks and how focused she is. She is well-practiced in the art of losing herself. I can’t say the same of myself.”

— Veronica Roth

354. “This was the first place I everfelt strong. Every time I breathe this air I feel it again.”

— Veronica Roth

355. “It would be nice if life worked this way, stripping the dirt from our lives and sending us back out into the world clean. But some dirt is destined to lingered.”

— Veronica Roth

356. “That night we push our cots just a little closer together, and look into each other’s eyes in the moments before we fall asleep. When he finally drifts off, our fingers are twisted together in the space between the beds. I smile a little, and let myself go.”

— Veronica Roth

357. “I watch her blond head until it disappears around the bend, and I feel bare, like there’s nothing left to protect me against pain. Her absence stings worst of all.”

— Veronica Roth

358. “How have I never realized before that for all the strong, kind parts of him, there are also hurting, broken parts?”

— Veronica Roth

359. “People are supossed to aspire to become their fathers, not shudder at the thought.”

— Veronica Roth

360. “A breeze blows through the alley, pushing me to one side, and I think of scaling the Ferris wheel with Tobias. He kept me steady then. There is no one left to keep me steady now.”

— Veronica Roth

361. “Sometimes, all it takes to save people from a terrible fate is one person willing to do something about it. Even if that “something” is a fake bathroom break.”

— Veronica Roth

362. “That said, in the two weeks before I leave for the Dark Days tour, I am going radio silent, which means I will be avoiding the Internet at all costs in order to revise, revise, revise. I will miss you. Tris says hi, though.”

— Veronica Roth

363. “He seems designed specifically for speed and deadly accuracy. But not strength, not particularly-he is smart, but not strong. Only strong enough to carry me.”

— Veronica Roth

364. “Men like Ryzek Noavek were not born; they were made. But time could not move backward. Just as he had been made, he had to be unmade.”

— Veronica Roth

365. “I love the Wikipedia link chain because it has led me into some strange articles. Wikipedia is one of my favorites.”

— Veronica Roth

366. “The person you became with her is worth being.”

— Veronica Roth

367. “Just as I have insisted on his worth, he has always insisted on my strength, insisted that my capacity is greater than I believe. And I know, without being told, that’s what love does, when it’s right-it makes you more than you were, more than you thought you could be. This is right.”

— Veronica Roth

368. “I can’t answer either question. But the look she gives me reminds me of the look in the attack dog’s eyes in the aptitude test – a vicious, predatory stare. She wants to rip me to pieces. I can’t lie down in submission now. I have become an attack dog too.”

— Veronica Roth

369. “Noise and activity are the refuges of the bereaved and the guilty.”

— Veronica Roth

370. “I close my eyes. I don’t expect Four to reassure me, and he makes no effort to, but I feel better standing here than I did out there among the people who are my friends, my faction.”

— Veronica Roth

371. “Can I be forgiven for all I’ve done to get here? I want to be. I can. I believe it.”

— Veronica Roth

372. “Why do you say vague things if you don’t want to be asked about them?”

— Veronica Roth

373. “If they told us what to believe, and we didn’t come to it on our own, is it still true?”

— Veronica Roth

374. “She can’t possibly be me, though she moves when I move.”

— Veronica Roth

375. “I don’t really control the story. I just let it go where it wants to go. I have no idea what’s going to happen in the end or who’s going to live, so it’s kind of like me saying, “I don’t know, guys! Just wait.” That’s what I’m doing!”

— Veronica Roth

376. “I tick off each quality in my mind as he says it – fear, low intelligence, dishonesty, aggression, selfishness. He is talking about the factions. And he’s right to say that every faction loses something when it gains a virtue: the Dauntless, brave but cruel; the Erudite, intelligent but vain; the Amity, peaceful but passive; the Candor, honest but inconsiderate; the Abnegation, selfless but stifling.”

— Veronica Roth

377. “I’m going to shoot a muffin off Marlene’s head.”

— Veronica Roth

378. “I didn’t know that idiocy caused people to just start spontaneously bleeding from the nose.”

— Veronica Roth

379. “And I provide much- needed eye candy.”

— Veronica Roth

380. “In that moment I know exactly what I want; I want to peel away all the layers of clothing between us, strip away everything that separates us, the past and the present and the future.”

— Veronica Roth

381. “I’ll have to keep looking for more of them, more brief moments of freedom in a world that refuses to allow it.”

— Veronica Roth

382. “My Tris should look pale and small – she is pale and small, after all – but instead the room is full of her.”

— Veronica Roth

383. “Seeing people who are actually reading your book and listening to the wide variety of reactions they have to it, is really special.”

— Veronica Roth

384. “Caleb runs up to me and folds me carefully in his arms. I breathe a sigh of relief. I thought I had gotten to the point where I didn’t need my brother anymore, but I don’t think such a point actually exists.”

— Veronica Roth

385. “I expect to weave through the crowd, dodging elbows and muttering “excuse me” the way I always do, but there is no need. Becoming Dauntless has made me noticable.”

— Veronica Roth

386. “Not writing is as important as writing – go out into the world and remember how interesting it, and the people in it, are.”

— Veronica Roth

387. “Little girl, he called me. A little girl who is stressed out to the point of paranoia. That is not me, but now, it’s who the Candor think I am.”

— Veronica Roth

388. “I kiss him as the train slides into unlit, uncertain land. I kiss him for as long as I want, for longer than I should, given that my brother sits three feet away from me.”

— Veronica Roth

389. “The fire, the fire. It rages within, a campfire and then an inferno, and my body is its fuel. I feel it racing through me, eating away at the weight. There is nothing that can kill me now; I am powerful and invincible and eternal.”

— Veronica Roth

390. “I used to go outside every day and invent these elaborate worlds and scenarios in my head, and when I grew too old for playing pretend, I started to write everything down instead.”

— Veronica Roth

391. “Oh for god’s sake. I’ll just carry you.”

— Veronica Roth

392. “And then the screaming begins.”

— Veronica Roth

393. “I have always hated the emptiness that winter brings, the blank landscape and the stark difference between sky and ground, the way it transforms trees into skeletons and the city into a wasteland.”

— Veronica Roth

394. “So how can I hold Tobias’s desperation against him, like I’m better than him, like I’ve never let my own brokenness blind me?”

— Veronica Roth

395. “What irritates me most about him is his natural goodness, his inborn selflessness.”

— Veronica Roth

396. “Stiff. That’s why you’re strong, get it? – Tobias Eaton.”

— Veronica Roth

397. “Maybe I was afraid to trust him with something so personal as my devotion.”

— Veronica Roth

398. “That’s the first time I’ve ever said those words out loud, and now I hear how strange they are. How many young men fear that there is a monster instead them? People are supposed to fear others, not themselves.”

— Veronica Roth

399. “I forget that he is another person; instead it feels like he is another part of me, just as essential as a heart or an eye or an arm.”

— Veronica Roth

400. “Before she got here everything had stalled inside me, and every morning I was just moving toward nighttime.”

— Veronica Roth